When you looking for interface roland, you must consider not only the quality but also price and customer reviews. But among hundreds of product with different price range, choosing suitable interface roland is not an easy task. In this post, we show you how to find the right interface roland along with our top-rated reviews. Please check out our suggestions to find the best interface roland for you.
Reviews
1. Roland Sound Module (D-05)
Feature
Perfect sonic recreation of the D-50 from the makers of the originalDigital Circuit Behavior (DCB) faithfully captures every detail
Authentic user interface including joystick control
All the original presets plus fresh new sounds
64-step, polyphonic onboard sequencer and arpeggiator
Description
Released in 1987, the Roland D-50 Linear Synthesizer is easily one of the most influential keyboards ever made. This revolutionary instrument helped define the sound of the late 80s with its instantly recognizable mix of sampled attacks and synthesized sustaining waveforms, plus built-in chorus, reverb, and EQ. It s the basis of classic tracks in a wide range of genres including synth pop, new wave, new jack, and R B, and can be heard in countless film scores of the era. With the Roland D-05, you get the iconic sound and dedicated control of the D-50 in a modern device that perfectly recreates the legendary synth down to its finest details.Vintage DigitalWhen most people think of vintage synthesizers, they think of analog beasts with lots of knobs and sliders. The 1980s ushered in something new: sleek keyboards with digital engines that brought musicians and producers a totally new palette of sounds not previously possible with analog. As Roland s first all-digital performance keyboard, the D-50 took the world by storm with its unique mix of sampled attack transients and synthesized waveforms combined with built-in digital effects and a joystick! Name a famous track from the late 80s to early 90s and there s a good chance it was built around one or more Roland D-50 sounds. Unabashedly digital, the D-50 has taken its rightful place in the hallowed halls of classic vintage synthesizers. Its sound is unique and beautiful, and it brings a certain something to your tracks that you just can t get anywhere else.New Wave. New Jack. New Age. And So On The 80s were a dynamic period for pop music. Producers were trying new things, looking for new sounds, and new genres were being forged at a furious pace. From 1987 on, the Roland D-50 was massively influential and appeared in studios and on stages around the world. Some of the most revered recording artists in history have used the beautifully crafted presets, unaltered, as the cornerstone of huge international hits. The2. Roland OctaCapture USB 2.0 Audio Interface
Feature
Eight Premium Mic Preamps, Compact I/O, Pristine Sound QualityAUTO-SENS function intelligently sets optimal input levels for all preamps
Extreme low-latency VS Streaming driver. Low-noise, wide-range power supply. Compact with durable aluminum body and direct box functionality. Bundled with Cakewalk SONAR X1 LE
Four independent software-controlled Direct Mixers for creating custom monitor mixes
Supports all major DAW platforms on Mac or PC, including OSX 10.6 and Windows 7, through ASIO 2.0/WDM (Windows) and Core Audio (Mac) drivers
Description
Combining ten inputs, ten outputs, and eight VS Preamps with transparent 24-bit/192 kHz audio quality, the Roland Octa-Capture sets a new standard for portable USB 2.0 audio interfaces. High-level audio production comes easy with this fusion of premium components, Roland-quality engineering, and proprietary preamp and streaming technology. Octa-Capture is not only the perfect interface for multi-channel computer-based production, but also a great solution for expanding the I/O capability of the V-Studio 700 and V-Studio 100. Brimming with quality and performance seldom seen in its price range, Octa-Capture is the next-generation audio interface.3. Roland MIDI Cable (UM-ONE-MK2)
Feature
One-in/one-out MIDI interface with high-performance FPT processingCompatible with Mac and Windows operating systems, and now with iOS on the iPad via the Apple iPad Camera Connection Kit
Data indicators for both MIDI input and output
Conveniently integrated USB and MIDI cables
USB bus-powered operation
Description
Compact, convenient, and fast, the affordable UM-ONE mk2 boasts high-performance FPT processing for low latency and tight timing. The bus-powered MIDI interface is compatible with Macs and PCs, and now with the iPad as well via the Apple iPad Camera Connection Kit!4. Roland OctaCapture USB 2.0 Audio Interface
Feature
Eight Premium Mic Preamps, Compact I/O, Pristine Sound QualityAUTO-SENS function intelligently sets optimal input levels for all preamps
Extreme low-latency VS Streaming driver. Low-noise, wide-range power supply. Compact with durable aluminum body and direct box functionality. Bundled with Cakewalk SONAR X1 LE
Four independent software-controlled Direct Mixers for creating custom monitor mixes
Supports all major DAW platforms on Mac or PC, including OSX 10.6 and Windows 7, through ASIO 2.0/WDM (Windows) and Core Audio (Mac) drivers
Description
High-Speed USB Audio Interface
Combining ten inputs, ten outputs, and eight VS Preamps with transparent 24-bit/192 kHz audio quality, the Roland Octa-Capture sets a new standard for portable USB 2.0 audio interfaces. High-level audio production comes easy with this fusion of premium components, Roland-quality engineering, and proprietary preamp and streaming technology. Octa-Capture is not only the perfect interface for multi-channel computer-based production, but also a great solution for expanding the I/O capability of the V-Studio 700 and V-Studio 100. Brimming with quality and performance seldom seen in its price range, Octa-Capture is the next-generation audio interface.
Eight Premium Mic Preamps
With its eight mic preamps, Octa-Capture shows its mettle in multi-mic applications like recording drums or full bands. The input level specs for Channels 7 and 8 have been optimized for extremely dynamic sound sources with high peak levels such as kick drums; the extra headroom (up to +16dBu) available on these channels helps prevent clipping and other recording problems. OCTA-CAPTURE also features independent compressors on its eight analog inputs to control the dynamics of difficult sound sources, ensuring solid recordings with clear sound and consistent levels.
One-Click AUTO-SENS: Automatic Input Level Adjustment
Setting optimum recording levels is an indispensable part of capturing high-quality recordings. If input levels are too high, the sound will distort; if levels are too low, you lose the advantage of the excellent resolution afforded by digital recording, and the sound suffers from signal-to-noise ratio deterioration. To solve these issues, OCTA-CAPTURE is equipped with a newly developed "AUTO-SENS" function, which makes it quick and easy for even novice users to set the optimum level for a particular sound source. With AUTO-SENS, all you have to do is press a button, supply sound input, and the built-in DSP will analyze the sound and set the optimum input level. In addition to Manual mode, where the DSP begins analyzing when you press the button and stops when you press it again, you can also define a preset analysis time of 30 seconds, 1 minute, 3 minutes, or 5 minutes. This revolutionary function is a real time-saver in recording sessions where setup time is limited.
Extreme Low-Latency Driver
Octa-Capture offers incredible stability and industry-leading low-latency USB performance via Roland's proprietary VS STREAMING technology. All current Mac and PC DAW platforms are supported through ASIO 2.0/WDM (Windows) and Core Audio (Mac) drivers. Thanks to VS STREAMING, you can use multiple devices (two Octa-Capture units or one Octa-Capture plus a V-Studio 100 or V-Studio 700) on the same USB bus without compromising stability, performance, or audio quality.
Four Flexible Monitor Mixes
With OCTA-CAPTURE and its high-performance DSP boasting 40-bit internal processing capability, you can use up to four digital mixers in two different categories (input mixer and output mixer) without tasking your PC. With these "direct mixers," you're able to directly output any connected source without routing it through your DAW program, and also tweak your sounds using OCTA-CAPTURE's built-in digital reverb and compressor. You can provide four independent latency-free mixes for performers, with different source volumes and dry-wet balances to suit the preferences of each musician. Each digital mixer also features a patch bay, which allows you to route your outputs for various applications and save these settings on your PC
Link Two Units for 16 x 16 Audio Input/Output
Need more flexibility? Link two Octa-Capture interfaces for 16 x 16 audio I/O, letting you add more instruments, mix more tracks, and more.
Supports Major Digital Audio Workstations (DAW)
Thanks to ASIO 2.0/WDM support for PC and Core Audio drivers for Mac, the Octa-Capture supports all major DAW platforms, including Cakewalk, ProTools, and more.
What's in the Box?
Roland Octa-Capture USB Audio Interface, rack mount angle x 2, owner's manual, Cakewalk Production Plus Pack DVD-ROM, driver CD-ROM, AC adapter, USB cable.
Choose the Roland Audio Interface Right for You
| OCTA-CAPTURE High Speed Audio Interface | QUAD-CAPTURE USB 2.0 Audio Interface | |
|---|---|---|
| Eight premium mic preamps, compact I/O, pristine sound quality | Pro performance for portable production | |
| Number of Audio Record / Playback Channels Sampling Frequency = 96 kHz, 48 kHz, 44.1 kHz | Record: 10 channels Playback: 10 channels | Record: 4 channels Playback: 4 channels |
| Number of Audio Record / Playback Channels Sampling Frequency = 192 kHz | Record: 4 channels Playback: 4 channels | Record: 2 channels Playback: 2 channels |
| Nominal Input Level | Input jack 1-6 (XLR type): -56 to -6 dBu Input jack 7-8 (XLR type): -50 to +0 dBu Input jack 1-8 (1/4-inch TRS phone type): -46 to +4 dBu | Input jack 1, 2 (XLR type): -60 to -6 dBu Input jack 1, 2 (1/4-inch TRS phone type): -50 to +4 dBu |
| Nominal Output Level | Output 1-8: +0 dBu (balanced) | Output 1, 2: +0 dBu (balanced) |
| Headroom | 16 dB | 14 dB |
| Input Impedance | Input jack 1-6 (XLR type): 5 k ohms (balanced) Input jack 7-8 (XLR type): 10 k ohms (balanced) Input jack 1-8 (1/4-inch TRS phone type): 17 k ohms (balanced) | Input jack 1, 2 (XLR type): 4.8 k ohms Input jack 1, 2 (1/4-inch TRS phone type): 15 k ohms (balanced) |
| Output Impedance | Output 1-8: 1.8 k ohms (balanced) Phones: 47 ohms | Output 1, 2: 2 k ohms (balanced) Phones: 47 ohms |
| Residual Noise Level | Main Out: -87 dBu typ. (Gain: min., Input 1-2 terminated with 600 ohms, IHF-A) * Internal Direct Monitor Mixing setting * Stereo Link: On, input channel fader: Unity | Input 1, 2 to Output 1, 2: -95 dBu typ. (Gain: min., 600 ohms terminated, IHF-A) * Internal Direct Monitor Mixer setting * Input channel fader: Unity |
| Dynamic Range | AD Block: Input 1-8: 104 dB typ. (Gain: min.) DA Block: Output 1-8: 113 dB typ. | AS Block: Input 1, 2: 104 dB typ. (Gain: min.) DA Block: Output 1, 2: 109 dB typ. |
| Display | 128 x 64 dots Graphic LCD (backlit LCD) | |
| Connectors |
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5. Roland UM-ONE Midi Interface
Feature
1-in/1-out MIDI interface with high-performance FPT processingData indicators for both MIDI input and output. Conveniently integrated USB and MIDI cables
USB bus powered
Description
From the pioneer of the PC MIDI interface, Roland introduces the new UM-ONE. A 1-in/1-out USB bus powered MIDI interface with high-performance FPT processing for low latency and tighter clock timing. Compatible with Mac and PC, the super compact UM-ONE is an affordable, reliable, easy-to-use MIDI interface.6. Roland AC Power Adapter for GI-10 Guitar MIDI Interface (ACM-120)
Feature
AC Adapter for Roland GI-10 Guitar MIDI InterfaceDescription
Roland AC Adapter for Roland GI-10 Guitar MIDI Interface7. Roland Rubix 22 USB Audio Interface 2 in/2 Out (RUBIX22)
Feature
2-in/2-out USB audio interface2 low-noise mic preamps with XLR combo jacks
Hi-Z input for guitar and other high impedance sources
MIDI In/Out ports
Extensively shielded, low-noise design
Description
Rubix22 offers a perfect balance of high-fidelity sound, solid build quality, compact size, affordable price, and crucial features for today's musicians and producers. With support for high-resolution audio up to 24-bit/192kHz, Rubix22 sounds clear and defined and is carefully engineered to have extremely low noise from input to output. Its near universal USB support means it works seamlessly with Mac and PC computers, and even supports iPads, for the ultimate in portable music production and performance.8. Roland Rubix 24 USB Audio Interface 2 in/4 Out (RUBIX24)
Feature
2-in/4-out USB audio interface2 low-noise mic preamps with XLR combo jacks
Hi-Z input for guitar and other high impedance sources
MIDI In/Out ports
Extensively shielded, low-noise design
Description
Rubix24 offers a perfect balance of high-fidelity sound, solid build quality, compact size, affordable price, and crucial features for today's musicians and producers. With support for high-resolution audio up to 24-bit/192kHz, Rubix24 sounds clear and defined and is carefully engineered to have extremely low noise from input to output. Its near universal USB support means it works seamlessly with Mac and PC computers, and even supports iPads, for the ultimate in portable music production and performance.9. Roland Rubix 44 USB Audio Interface 4 in/4 Out, 4-in/4-out (RUBIX44)
Feature
4-in/4-out USB audio interface4 low-noise mic preamps with XLR combo jacks
Hardware compressor/limiter
Hi-Z input for guitar and other high impedance sources
MIDI In/Out ports
Description
Rubix44 offers a perfect balance of high-fidelity sound, solid build quality, compact size, affordable price, and crucial features for today's musicians and producers. With support for high-resolution audio up to 24-bit/192kHz, Rubix44 sounds clear and defined and is carefully engineered to have extremely low noise from input to output. Its near universal USB support means it works seamlessly with Mac and PC computers, and even supports iPads, for the ultimate in portable music production and performance.10. Roland UA-22 USB Audio/MIDI Interface
Feature
Two VS Preamps with phantom-power supportCompatible with PC, Mac, and iPad*
Low-noise three-way power supply; runs on USB bus power, three AA-size batteries, or AC adapter
Road-tough, compact aluminum case; MIDI input and output
Bundled with SONAR LE music-production software for Windows
