Top beatles vinyl albums

If you looking for beatles vinyl albums then you are right place. We are searching for the best beatles vinyl albums on the market and analyze these products to provide you the best choice.

Product Features Editor's score Go to site
Beatles For Sale Beatles For Sale
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Abbey Road Abbey Road
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Revolver Revolver
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Hey Jude Hey Jude
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Meet The Beatles Meet The Beatles
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The Beatles' Second Album The Beatles' Second Album
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The Beatles (The White Album) The Beatles (The White Album)
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The Beatles (The White Album) [Mono][2 LP] The Beatles (The White Album) [Mono][2 LP]
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Sgt. Pepper's Lonely Hearts Club Band [Mono LP] Sgt. Pepper's Lonely Hearts Club Band [Mono LP]
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The Beatles Stereo Vinyl Box Set The Beatles Stereo Vinyl Box Set
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Sgt. Pepper's Lonely Hearts Club Band - 2017 Edition - Sealed Sgt. Pepper's Lonely Hearts Club Band - 2017 Edition - Sealed
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Reviews

1. Beatles For Sale

2. Abbey Road

3. Revolver

4. Hey Jude

Feature

1 - Hey Jude
2 - Revolution

5. Meet The Beatles

Feature

Record has been cleaned and new sleeved
Red capitol labels.
Spine is split.

Description

US pressing

6. The Beatles' Second Album

Description

The Beatles Second Album made its debut among the Billboard Top LPs at number 16 on April 25, 1964 and replace Meet the Beatles as number 1 on May 2, 1964, remaining in the number 1 spot for five weeks.

7. The Beatles (The White Album)

8. The Beatles (The White Album) [Mono][2 LP]

Description

The Beatles in mono: This is how most listeners first heard the group in the 1960s, when mono was the predominant audio format. Up until 1968, each Beatles album was given a unique mono and stereo mix, but the group always regarded the mono as primary. THE BEATLES WHITE ALBUM is released in mono on 180-gram vinyl with faithfully replicated artwork, newly mastered from the analogue master tapes.

In an audiophile-minded undertaking, The Beatles' acclaimed mono albums have been newly mastered for vinyl from quarter-inch master tapes at Abbey Road Studios by GRAMMY-winning engineer Sean Magee and GRAMMY-winning mastering supervisor Steve Berkowitz. While THE BEATLES IN MONO CD boxed set released in 2009 was created from digital remasters, for this new vinyl project, Magee and Berkowitz cut the records without using any digital technology. Instead, they employed the same procedures used in the 1960s, guided by the original albums and by detailed transfer notes made by the original cutting engineers.

Working in the same room at Abbey Road where most of The Beatles' albums were initially cut, the pair first dedicated weeks to concentrated listening, fastidiously comparing the master tapes with first pressings of the mono records made in the 1960s. Using a rigorously tested Studer A80 machine to play back the precious tapes, the new vinyl was cut on a 1980s-era VMS80 lathe.

Manufactured for the world at Optimal Media in Germany, The Beatles' albums are presented in their original glory, both sonically and in their packaging.

9. Sgt. Pepper's Lonely Hearts Club Band [Mono LP]

Description

The Beatles in mono: This is how most listeners first heard the group in the 1960s, when mono was the predominant audio format. Up until 1968, each Beatles album was given a unique mono and stereo mix, but the group always regarded the mono as primary. SGT. PEPPER'S LONELY HEARTS CLUB BAND is released in mono on 180-gram vinyl with faithfully replicated artwork, newly mastered from the analogue master tapes.

In an audiophile-minded undertaking, The Beatles' acclaimed mono albums have been newly mastered for vinyl from quarter-inch master tapes at Abbey Road Studios by GRAMMY-winning engineer Sean Magee and GRAMMY-winning mastering supervisor Steve Berkowitz. While THE BEATLES IN MONO CD boxed set released in 2009 was created from digital remasters, for this new vinyl project, Magee and Berkowitz cut the records without using any digital technology. Instead, they employed the same procedures used in the 1960s, guided by the original albums and by detailed transfer notes made by the original cutting engineers.

Working in the same room at Abbey Road where most of The Beatles' albums were initially cut, the pair first dedicated weeks to concentrated listening, fastidiously comparing the master tapes with first pressings of the mono records made in the 1960s. Using a rigorously tested Studer A80 machine to play back the precious tapes, the new vinyl was cut on a 1980s-era VMS80 lathe.

Manufactured for the world at Optimal Media in Germany, The Beatles' albums are presented in their original glory, both sonically and in their packaging.

10. The Beatles Stereo Vinyl Box Set

Feature

includes 14 Beatles albums in stereo
pressed on 180g vinyl
LPs sourced from original master tapes
252 page, 12" x 12" full color, hardcover book

Description

Albums included:
Please Please Me
With The Beatles
A Hard Day's Night
Beatles For Sale
Help!
Rubber Soul
Revolver
Sgt. Pepper's Lonely Hearts Club Band
Magical Mystery Tour
The Beatles (The White Album) (2LP)
Yellow Submarine
Let It Be
Abbey Road
Past Masters (2LP) The Beatles' acclaimed original studio album remasters, released on CD in 2009, make their long-awaited stereo vinyl debut.

Manufactured on 180-gram, audiophile quality vinyl with replicated artwork, the 14 albums return to their original glory with details including the poster in The Beatles (The White Album), the Sgt. Pepper's Lonely Heart Club Band's cut-outs, and special inner bags for some of the titles. The albums are accompanied by a stunning, elegantly designed 252-page hardbound book in a lavish boxed edition which is being in limited quantities worldwide.

The book, exclusive to the boxed edition, is authored by award-winning radio producer Kevin Howlett and features a dedicated chapter for each of the albums, as well as insight into the creation of the remasters and how the vinyl albums were prepared. The 12"x12" book showcases a wealth of photographs spanning The Beatles' recording career, including many images which were not included in the 2009 CD booklets.

The titles include The Beatles' 12 original UK albums, first released between 1963 and 1970, the US-originated Magical Mystery Tour, now part of the group's core catalogue, and Past Masters, Volumes One & Two, first released individually in 1988, featuring non-album A-sides and B-sides, EP tracks and rarities. With this release, The Beatles' first four albums make their North American stereo vinyl debuts.

There has always been demand for The Beatles' albums on vinyl. Indeed, 2011's best-selling vinyl LP in the United States was Abbey Road. Following the success of The Beatles' acclaimed, GRAMMY Award-winning 2009 CD remasters, it was decided that the sound experts at EMI's Abbey Road Studios should create new versions of The Beatles' vinyl LPs. The project demanded the same meticulous approach taken for the CD releases, and the brief was a simple one: cut the digital remasters to vinyl with an absolute minimum of compromise to the sound. However, the process involved to do that was far from simple.

The first stage in transferring the sound of a master recording to vinyl is the creation of a disc to be used during vinyl manufacture. There were two options to consider. A Direct Metal Master (DMM), developed in the late seventies, allows sound to be cut directly into a stainless steel disc coated with a hard copper alloy. The older, alternative method is to cut the sound into the soft lacquer coating on a nickel disc - the first of several steps leading to the production of a stamper to press the vinyl.

A 'blind' listening test was arranged to choose between a 'lacquer' or 'copper' cut. Using both methods, A Hard Day's Night was pressed with ten seconds of silence at the beginning and end of each side. This allowed not only the reproduction of the music to be assessed, but also the noise made by the vinyl itself. After much discussion, two factors swung the decision towards using the lacquer process. First, it was judged to create a warmer sound than a DMM. Secondly, there was a practical advantage of having 'blank' discs of a consistent quality when cutting lacquers.

The next step was to use the Neumann VMS80 cutting lathe at Abbey Road. Following thorough mechanical and electrical tests to ensure it was operating in peak condition, engineer Sean Magee cut the LPs in chronological release order. He used the original 24-bit remasters rather than the 16-bit versions that were required for CD production. It was also decided to use the remasters that had not undergone 'limiting' - a procedure to increase the sound level, which is deemed necessary for most current pop CDs.

Having made initial test cuts, Magee pinpointed any sound problems that can occur during playback of vinyl records. To rectify them, changes were made to the remasters with a Digital Audio Workstation. For example, each vinyl album was listened to for any 'sibilant episodes' - vocal distortion that can occur on consonant sounds such as S and T. These were corrected by reducing the level in the very small portion of sound causing the undesired effect. Similarly, any likelihood of 'inner-groove distortion' was addressed. As the stylus approaches the centre of the record, it is liable to track the groove less accurately. This can affect the high-middle frequencies, producing a 'mushy' sound particularly noticeable on vocals. Using what Magee has described as 'surgical EQ,' problem frequencies were identified and reduced in level to compensate for this.

The last phase of the vinyl mastering process began with the arrival of the first batches of test pressings made from master lacquers that had been sent to the two pressing plant factories. Stringent quality tests identified any noise or click appearing on more than one test pressing in the same place. If this happened, it was clear that the undesired sounds had been introduced either during the cutting or the pressing stage and so the test records were rejected. In the quest to achieve the highest quality possible, the Abbey Road team worked closely with the pressing factories and the manufacturers of the lacquer and cutting styli.

An additional and unusual challenge was to ensure the proper playback of the sounds embedded in the 'lock-groove' at the end of side two of Sgt. Pepper's Lonely Hearts Club Band. Requiring a combination of good timing and luck, it had always been a lengthy and costly process to make it work properly. In fact, it was so tricky, it had never been attempted for American pressings of the LP. Naturally, Sean Magee and the team perfected this and the garbled message is heard as originally intended on the remastered Sgt. Pepper LP.

11. Sgt. Pepper's Lonely Hearts Club Band - 2017 Edition - Sealed

Conclusion

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